I'm Robert Stanek. Last year, I signed an 8-book six-figure contract with my
long-time publisher. In the past, I’ve had contracts for $70,000 and up for 3
or 4 books, but nothing so substantial. It was a wonderful confirmation of my
commitment to the written word and it felt great to have a publisher back my
work so strongly, especially in the uncertain landscape of today’s publishing reality.
Since I’ve been talking about the contract and the books
lately, I often hear from people who congratulate me on “my quick success” and “my
rapid rise to acclaim.” I am, of course, a critically and commercially
acclaimed author of more than 150 books. I also am one of the world’s leading authorities
in the subjects I write about and the more than $200,000,000 in retail earnings
for my books easily put me in a class of the top 1% of authors in the world. I
am, however, anything but an overnight success. I’ve been a writer for 30 years
and only 20 as a published professional.
I earned my stripes in this crazy business when I wrote for
many years for the simple pleasure of writing itself. It wasn’t until 1994 that
I signed my first contract. It wasn’t until 1995 that my first book was
published. It wasn’t until 1996 that I was able to write full-time.
My full-time work as a writer is as a technology journalist
and nonfiction writer. In those early days, I wrote articles for leading
publications like PC Magazine and Dr. Dobbs. I also wrote books for leading
publishers like Macmillan, Pearson, McGraw Hill, Microsoft, and O’Reilly Media.
For articles, I often received $1 or more a word. For books, I often
received solid five-figure advances. That was, of course, success, and I did in
fact rise quickly, becoming a recognized world leader in my field in only a few
short years.
Success, however, can be short lived. In publishing, a
writer’s last success doesn’t necessarily pave the road to the future. A writer’s
future is determined by his or her next book and often also by factors the
writer cannot control. The world changes every day. Trends and tastes shift. Yesterday’s
media darling can be tomorrow’s nobody.
I’ve lived the change firsthand. Between 1995 and 1998, I signed
more than a dozen contracts, wrote books as fast as I could write them for readers
who couldn’t get my books fast enough. I was on fire. In those few short years,
my books earned over $50,000,000 at retail. I thought the ride would never end,
until it did.
The market changed. Trends and tastes shifted. The hot
topics of the day were flooded with a smorgasbord of offerings. There weren’t
just 10 or 20 books on that hot topic, there were a hundred. Eventually, this oversaturation
cannibalized sales of all similar books. Thus, even as my success and career were
hitting new highs, I was left scrambling.
But unlike many of my contemporaries at the time, I saw the
light of that oncoming freight train. I knew my options. I knew what I had to
do.
I could continue to write books in an oversaturated market,
try to live with sales that were a tiny fraction of what they had been, or I could
look to new opportunities. I chose plan b—the new opportunities. I risked
everything, left my old publishers who weren’t interested in my new ideas, and
went out looking for publishers who were
interested in my new ideas.
The change meant I had to rejoin the working world. I took a
job with a tech company in Seattle and joined the ranks of the marathon
commuters, driving 140 miles round trip every working day. I continued writing
in the evenings and on weekends. I continued to pitch my new ideas to new
publishers.
Days and weeks passed. Months too. By the sixth month, my
wife and I were seriously considering our options and wishing we’d sold the
family home and moved to Seattle months ago.
But I didn’t give up. Instead, I polished my ideas yet again
and sent them out via my agent to a new publisher who I heard was looking to do
something different. I just hoped that the “something different” they wanted
would be my radical idea for a new series of books.
The wait to hear back from the publisher was agony because
at this point it was make or break. If I heard back from the publisher and it
wasn’t good news, my writing career likely was over. If I heard back from the
publisher and it was good news, there was hope, but no certainty.
Thankfully, I heard back from my agent within a few days and
the news was good. The publisher wanted to meet with me. The publisher wanted
to discuss my ideas.
During the meeting, it was clear that the publisher liked my
ideas but I’d need to provide sample chapters, expand the series details, have
more face-to-face meetings, and generally do more to convince them. The hard part that
followed required a leap of faith. I couldn’t do all that was required of me,
in the time that was required of me, and keep working full-time elsewhere. I
had to quit the day job and proceed, or keep the day job and let the dream die.
I chose the dream. I gave notice, worked my last two weeks
while I continued developing the materials needed. A few weeks in, I learned
the publisher had one idea for the series and I had another. Worse, the concepts
were radically different.
I thought for sure disaster was ahead. Thankfully, the
publisher did eventually sign me to a two-book contract. A contract to do things
their way—and not my way.
However, the sample chapters I’d written over the
past weeks were for my series concept and not theirs, so I kept writing the
books my way. For this publisher, it was something unheard of for any writer to
go outside the standard or to deviate from fixed standards. But my editors
loved the final chapters I submitted, and I completed the work in its entirety
ahead of schedule—so many weeks ahead of schedule they didn't quite know what to do, and this also was something else that was
unheard of.
In fact, I was so far ahead of schedule, that the book’s
publication dates were moved back several months. Those several months proved
critical, as they allowed the publisher to showcase the books at a major
industry event when the publisher otherwise would not have been able to. And the
books done my way were smash hits at the event.
The rest as they say is history. Those contracts were followed by two other contracts from
other publishers that I’d contacted previously. Suddenly, I was back in the
publishing business.
That little series I started? That series would eventually
go on to become one of the biggest blockbuster series for the publisher, with $100,000,000 in worldwide retail sales—and counting.
Those first books I wrote in that series? They set the
foundation for the entire series and became critically-acclaimed, award-winning
bestsellers.
Not too shabby for ideas nobody wanted and no one but me believed in. Sometimes in life you must take that leap of faith. Sometimes you must believe in yourself when no one else does. Sometimes you must follow the wrong path to find the right one.
Thanks for reading,
Robert Stanek
